camera oneの例文

• She had been doing bits and pieces for the camera one spring morning on Santa Monica beach.
• I saw this phenomenon twice and I had my camera one time and uploaded it ! !!
• Big Shot Bob has to give all those people with cameras one more chance to take my picture.
• A batch file on the VAX mini-computer would then send the images to the camera one at a time.
• At the beginning of each show, they would all look into the camera one at a time and introduce themselves.
• Beckett indicates that the close-up should begin with the camera one yard ( 1 m ) from his face and Hell.
• Many cameras do not document exactly what their many modes do; for full mastery of the camera one must experiment with them.
• They abscond with Arthur's camera one afternoon to take pictures of the fairies, hoping to give Polly something to believe in.
• To help him with this task, the Dutch producers allowed him to tape a cut out of Muhammad Ali's head over Camera One.
• When it bursts forth, as on the snappy " Camera One, " the music transcends mere college-radio utility and becomes urgent.
• She breaks open an emergency fire ax and begins to destroy the cameras one by one while making her way to his office, prepared to fight.
• On the face of it, I see no reason to believe that this groups isn't just as bad ( or just as harmless ) as the Camera one.
• The camera was praised for its quality and number of options available, but it was noted that the large form factor made it trickier to use the camera one-handed.
• In the case of a camera one would quote the plate scale, which compares the apparent ( angular ) size of a distant object to the size of the real image produced at the focus.
• Federal investigator James Cain said he will use video of the crash _ taken from the ground by a relative of one of the jumpers and also from a camera one of the jumpers had mounted on a helmet _ to assist him in determining the cause of the accident.
• Personally, I feel that Dench look so much more mature, wise, and understanding compared to Parton or the Candid Camera one, that I would not care a bit about the looks of them ( even if I would not find the plastic look extremely awful ).
• Using the handheld's camera one could take a picture of ( a line of ) text and have it extracted ( digitalized ) for further manipulation such as storing the information in their contacts list, as a web page address ( URL ) or text to use in an SMS / email message etc.
• Producer Peter Collins created a remix to a ballad called " I ve Changed " for radio, which ended up as an alternate version on the album, but the bulk of the transformation came from former member of the Talking Heads and producer Jerry Harrison, who re-recorded " Matter, " " I ve Changed, " and an additional track called " Camera One . " " Camera One " went on to become the first No . 1 hit on adult album alternative radio by an independent record label ever.
• Producer Peter Collins created a remix to a ballad called " I ve Changed " for radio, which ended up as an alternate version on the album, but the bulk of the transformation came from former member of the Talking Heads and producer Jerry Harrison, who re-recorded " Matter, " " I ve Changed, " and an additional track called " Camera One . " " Camera One " went on to become the first No . 1 hit on adult album alternative radio by an independent record label ever.
• Additional Snowfort productions include Adam Wingard's " What Fun We Were Having : 4 Stories About Date Rape " that premiered at the 2011 Fantasia Film Festival, the 2011 Tribeca Film Festival and AFI Film Fest entry " All In All ", The Butcher Brothers " The Thompsons " ( an international co-production with Lionsgate UK ), Frank Pavich's 2013 Cannes Film Festival entry Jodorowsky's Dune ( an international co-production with Koch Media in Germany and Camera One in France ), SXSW 2012 hit The Aggression Scale from director Steven C . Miller, the SXSW 2013 hit Big Ass Spider ! from director Mike Mendez, the SXSW 2013 Audience Award Winner, 2013 Boston Underground Film Festival Director's Choice Award Winner " Cheap Thrills " from director E . L . Katz, Ravi Dhar's arthouse action film " American Muscle ", the Hollywood Cult tale " Starry Eyes " from directors Dennis Widmyer and Kevin Kolsch ( a co-production with MPI / Dark Sky Films ), and 2015 SXSW breakout We Are Still Here from writer / director Ted Geoghegan.